Friday, November 8, 2013

Fall

by Edward Hirsch

Fall, falling, fallen. That's the way the season
Changes its tense in the long-haired maples
That dot the road; the veiny hand-shaped leaves
Redden on their branches (in a fiery competition
With the final remaining cardinals) and then
Begin to sidle and float through the air, at last
Settling into colorful layers carpeting the ground.
At twilight the light, too, is layered in the trees
In a season of odd, dusky congruences—a scarlet tanager
And the odor of burning leaves, a golden retriever
Loping down the center of a wide street and the sun
Setting behind smoke-filled trees in the distance,
A gap opening up in the treetops and a bruised cloud
Blamelessly filling the space with purples. Everything
Changes and moves in the split second between summer's
Sprawling past and winter's hard revision, one moment
Pulling out of the station according to schedule,
Another moment arriving on the next platform. It
Happens almost like clockwork: the leaves drift away
From their branches and gather slowly at our feet,
Sliding over our ankles, and the season begins moving
Around us even as its colorful weather moves us,
Even as it pulls us into its dusty, twilit pockets.
And every year there is a brief, startling moment
When we pause in the middle of a long walk home and
Suddenly feel something invisible and weightless
Touching our shoulders, sweeping down from the air:
It is the autumn wind pressing against our bodies;
It is the changing light of fall falling on us.

Monday, October 14, 2013

La Guerre

- e. e. cummings

O sweet spontaneous
earth how often have
the
doting

               fingers of
prurient philosophers pinched
and

poked
thee
, has the naughty thumb
of science prodded
thy

         beauty                  how
often have religions taken
thee upon their scraggy knees
squeezing and

buffeting thee that thou mightest conceive
gods
         (but
true

to the incomparable
couch of death thy
rhythmic
lover

              thou answerest

them only with

                                spring)

Wednesday, September 4, 2013

Kindness


—Naomi Shihab Nye


Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.

Before you learn the tender gravity of kindness,
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.

Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.

Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to mail letters and purchase bread,
only kindness that raises its head
from the crowd of the world to say
It is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.

Won't You Celebrate With Me?

- Lucille Clifton

won't you celebrate with me
what i have shaped into
a kind of life? i had no model.
born in babylon
both nonwhite and woman
what did i see to be except myself?
i made it up
here on this bridge between
starshine and clay,
my one hand holding tight
my other hand; come celebrate
with me that everyday
something has tried to kill me
and has failed.

Saturday, April 27, 2013

Poetry

- Alfred Kreymborg

Ladislaw the critic
is five feet six inches high,
which means
that his eyes
are five feet two inches
from the ground,
which means,
if you read him your poem,
and his eyes lift to five feet
and a trifle more than two inches,
what you have done
is Poetry--
should his eyes remain
at five feet two inches,
you have perpetrated prose,
and do his eyes stoop
--which Heaven forbid!--
the least trifle below
five feet two inches,
you
are an unspeakable adjective.

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